|  Albrecht, Otto E., “Opera in Philadelphia,
                1800-1830”, Journal of the American Musicological
                  Society, Vol. 32, No. 3 (Autumn, 1979) , pp.
                499-515
 Brooks, Henry M. (Henry Mason), Olden time series;
                  gleanings chiefly from old newspapers of Boston and
                  Salem, Massachusetts, Tichnor, Boston, 1886
 
 Campbell, Jane. "Old Philadelphia music written for the
                City Historical Society of Philadelphia and read by her
                at the meeting of May 8th, 1907". Philadelphia : The
                Society, 1926,
 Series: City History Society of Philadelphia.
                Philadelphia History. v. 2, no. 8.
 Other Series Title: The City History Society of
                Philadelphia. Philadelphia History. vol. 2, no. 8.
 
 Coar, Birchard. The French Horn. Dekalb,
                Illinois: Birchard Coar, 1947.
 
 Coar, Birchard. A Critical Study of the Nineteenth
                  Century Horn Virtuosi in France Dekalb, Illinois:
                Birchard Coar, 1952.
 
 Dwight, John Sullivan, Dwight's Journal of Music,
                Boston, 1852–1881
 
 Elson, Louis Charles, The history of American music,
                Macmillan, New York, 1904, 1925.
 
 Elson, Louis Charles, 1848-1920, The national music
                  of America and its sources. L. C. Page, Boston
                [1924] , Gale Research Co., Detroit, 1974.
 
 Gerson, Robert A.,  Music in Philadelphia,
                Theodore Presser, Co., Philadelphia, 1940
 
 Glahn, Denise von, The sounds of place : music and
                  the American cultural landscape, Northeastern
                University Press, Boston, 2003
 
 Goodwin, Thomas; Mason, Rufus Osgood, Sketches and
                  impressions, musical, theatrical and social:
                  (1799-1885) including a sketch of the Philharmonic
                  society of New York , G. P. Putnam's sons, New
                York & London, 1887
 
 Hipsher, Edward Ellsworth, American opera and its
                  composers,  A complete history of serious
                  American opera, with a summary of the lighter forms
                  which led up to its birth. Theodore Presser, 
                Philadelphia, Pa., [c1927]
 
 Horowitz, Joseph,  Classical Music in America,
                W.W. Norton & Co., New York, c2005
 
 Huneker, James Gibbons,  The Phiharmonic
                  Society of New York and its Seventy-Fifth Anniversary,
                1917
 
 Johnson, H. Earle, Musical Interludes in Boston
                  1795-1830, Columbia University Press, New York,
                1943
 
 Krehbiel, Henry Edward, The Philharmonic Society of
                  NewYork, Novello, Ewer & Co., New York and
                London, 1892
 
 Lawrence, Vera Brodsky, Strong on Music: The New
                  York Music Scene in the Days of George Templeton
                  Strong, The University of Chicago Press, Chicago,
                3 volumes, 1988, 1995, 1999
 
 Musical Fund Society of Philadelphia, Records ca.
                1820-1991, minutes of directors of music, 1820-1831,
                University of Pennsylvania Library, Ms. Coll. 90, Box 21
 
 Newman, Nancy, Good Music for a Free People: The
                  Germania Musical Society and Transatlantic Musical
                  Culture of the Mid-Nineteenth Century, Nancy
                Newman, Providence, RI, 2002
 
 NY Philharmonic Archives, 1842-1928: The * indicates
                he/she was at one time or another the principal.
                Abbreviations of instruments means they also played that
                other instrument. AM indicates "Actual Member."  In
                the early years there was a distinctionmade between
                those who were actually voted in as members and those
                who were not.
 
 Parker, John Rowe, and Dingley, Charles, eds., The
                  Euterpeiad, or Musical Intelligencer, Thomas
                Badger, Jr., Boston, 1820 – 1823.
 
 Program of the Music Festival to be held in the
                  Seventh Regiment Armory, New York, May 2, 3, 4, 5,
                and 6, 1882 under the direction of Theodore Thomas, The
                Music Festival Association, 1882
 
 Saloman, Ora Frishberg, "Victor Pelissier, Composer in
                Federal New York and Philadelphia", Historical Society
                of Pennsylvania
 http://www.hsp.org/files/pmhb32.htm
 
 Scharf, J. Thomas (John Thomas), Westcott, Thompson, History
                  of Philadelphia, 1609-1884, L.H. Everts,
                Philadelphia, 1884.
 
 Snedeker, Jeffery, "The Horn in Early America", Perspectives
                  in Brass Scholarship, Proceedings of the Historic
                  Brass Symposium, Amherst, 1995, Pendragon Press,
                Stuyvesant, New York, 1997
 
 Sonneck, Oscar George Theodore, Early Concert Life
                  in America. (1731-1800), Breitkopf-Härtel,
                Leipzig, 1907
 
 Shanet, Howard, Philharmonic – A History of New
                  York’s Orchestra, Doubleday and Co. Garden City,
                NY, 1975
 
 Spillane, Daniel, History of the American Pianoforte
 
 Talley, John Barry, Secular Music in Colonial
                  Annapolis, The Tuesday Club, 1745-56, The
                University of Illinois Press, Urbana and Chicago, 1988
 
 Philadelphia Newspapers:
 Clapoole's or Poulson's American Daily Advertiser
 Daily Aurora
 The Pennsylvania journal, or, Weekly advertiser.
 The Pennsylvania gazette.
 The American weekly mercury.
 
 Chicago musical papers:
 "The Flower Queen" , The Western Journal of Music
                1856
 
 
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